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This volume presents the proceedings of a conference hosted by the American School of Classical Studies, Athens and the Deutsches Archäologisches Institut, Athens in 2004. There are additional contributions from Patricia Butz, Robin Osborne, Katherine Schwab, Justin St. P. Walsh, Hilda Westervelt and Lorenz Winkler-Horacek. The contents are divided into four sections I. Structure and Ornament; II. Technique and Agency; III. Myth and Narrative and IV. Diffusion and Influence. Highlights include Robin Osbornes discussion of What you can do with a chariot but cant do with a satyr on a Greek templ
Sculpture, Greek --- Decoration and ornament, Architectural --- Architecture --- Sculpture grecque --- Décoration et ornement architecturaux --- Congresses. --- Congrès --- Décoration et ornement architecturaux --- Congrès --- Greek sculpture
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Surveying the jewellery worn by women in Scandinavian-settled areas of England in the Viking period, this book describes and illustrates these dress fittings, many of which have only recently been found. The book reveals the extent and nature of female participation in the Viking expansion, which is traditionally viewed as a largely masculine affair.
Jewelry, Medieval --- Decoration and ornament, Viking --- Civilization, Viking --- Bijoux médiévaux --- Décoration et ornement vikings --- Civilisation viking --- Bijoux médiévaux --- Décoration et ornement vikings --- Goldwork, Viking --- Silverwork, Viking --- England --- Antiquities. --- Viking silverwork --- Viking goldwork
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In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.
Decoration and ornament --- Decoration and ornament, Renaissance. --- Decoration and ornament, Renaissance --- Décoration et ornement --- Décoration et ornement de la Renaissance --- Philosophy. --- Philosophie --- Italy. --- Décoration et ornement --- Décoration et ornement de la Renaissance --- ornaments --- Italian Renaissance-Baroque styles --- Architecture --- Applied arts. Arts and crafts --- anno 1500-1599 --- Italy --- Philosophy --- ornaments [object genre] --- Renaissance decoration and ornament --- Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Art --- Decorative arts --- Arts and crafts movement --- E-books --- Decoration and ornament, Primitive --- Decoration and ornament, Renaissance - Italy --- Decoration and ornament - Philosophy
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Tandis que la restauration récente des portails de la cathédrale de Rouen nous invite à redécouvrir un exceptionnel décor sculpté, cette étude propose une approche renouvelée et des clés de compréhension pour en faciliter le « décryptage ». Pourquoi le portail des Libraires se couvre-t-il, à la fin du xiiie siècle, de près de 200 bas-reliefs figurant des animaux fabuleux et des créatures hybrides aux côtés de la Création du monde ou encore d’Adam et Ève ? Comment ce premier « modèle » rouennais a-t-il été repris au cours du xive siècle au portail méridional, celui de la Calende, mais aussi à la primatiale Saint-Jean de Lyon, à l’abbaye Saint-Ouen de Rouen et même au palais des papes en Avignon ? Quels enjeux artistiques, religieux, voire politiques expliquent ce succès à la fois imposant (plus de 860 bas-reliefs) et limité dans le temps (fin xiiie-milieu du xive siècle) ? Ouvrant des perspectives nouvelles dans le domaine de l’analyse iconographique, l’auteur conduit une véritable étude historique : la politique de prestige des grands prélats, la « mise en récit » des images sculptées au seuil des cathédrales, la culture des métamorphoses et l’incroyable inventivité des sculpteurs du Moyen Âge, le culte des saints au cœur des rivalités entre les sanctuaires...
Decoration and ornament, Architectural --- Church decoration and ornament --- Decoration and ornament, Gothic --- Church doorways --- Doorways, Gothic --- Sculpture, Gothic --- Relief (Sculpture), Gothic --- Christian art and symbolism. --- Décoration et ornement architecturaux --- Eglises --- Décoration et ornementation gothiques --- Portails d'églises --- Portails gothiques --- Sculpture gothique --- Relief (Sculpture) gothique --- Art et symbolisme chrétiens --- Décoration et ornement --- Christian art and symbolism --- Décoration et ornement architecturaux --- Décoration et ornementation gothiques --- Portails d'églises --- Art et symbolisme chrétiens --- Décoration et ornement --- Church doorways - France - Rouen --- Church doorways - France - Lyon --- Church doorways - France - Avignon --- Art --- Medieval & Renaissance Studies --- art chrétien --- art médiéval --- architecture --- portail --- cathédrale Notre-Dame --- Lyon --- Avignon --- palais des Papes --- Rouen
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264-041.52 --- 246 <460> --- 264-041.52 Palmzondag. Goede week. Witte donderdag. Goede vrijdag --- Palmzondag. Goede week. Witte donderdag. Goede vrijdag --- Christelijke kunst en symbolisme--Spanje --- Holy week --- Church decoration and ornament --- Christian art and symbolism --- Semaine sainte --- Eglises --- Art et symbolisme chrétiens --- Décoration et ornement --- Mediterranean Region --- Méditerranée, Région de la --- Religious life and customs. --- Vie religieuse --- Religion --- History --- religion --- christianisme --- monument --- décor --- art
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The purpose of this book is to present the Hekatompedon Inscription at Athens ( IG I³ 4) as a major monument of Greek art, legitimately on a par with more famous landmarks of the Greek aesthetic tradition like the Parthenon Frieze. Inscribed most probably in the middle of the decade that saw the Greek response to the Persian invasion, the Hekatompedon Inscription has long been recognized for its historical and religious importance. This study looks at the inscription on its own terms: the unique fusion of its visual and textual content in that most Greek of epigraphical layouts, the stoikhedon style. Such an approach leads to the question of origins: where and why was the stoikhedon style formulated and where does the Hekatompedon Inscription stand in that development? Egypt’s influential system of proportions and use of grids will be considered determinative for the very first time.
Ancient history --- Archeology --- Classical Greek literature --- Greece --- Architectural inscriptions --- Decoration and ornament, Architectural --- Stoichedon inscriptions --- Greek language --- Inscriptions architecturales --- Décoration et ornement architecturaux --- Inscriptions stoikedon --- Grec (Langue) --- Alphabet. --- Alphabet --- Stoichedon inscriptions. --- Hekatompedon inscription. --- 729 --- Arts Architecture Design and decoration --- Architectural inscriptions --Greece --Athens. --- Decoration and ornament, Architectural --Greece --Athens. --- Greek language --Alphabet. --- Art, Architecture & Applied Arts --- Architecture --- Décoration et ornement architecturaux --- Inscriptions, Stoichedon --- Architectural decoration and ornament --- Stonework, Decorative --- Architectural lettering --- Building inscriptions --- House inscriptions --- Inscriptions, Architectural --- Decoration and ornament --- Hecatompedon inscription --- Inscriptions, Greek --- Writing --- Architectural design --- Exterior walls --- Inscriptions --- Lettering
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In the sixteenth century, the people of England witnessed the physical transformation of their most valued buildings: their parish churches. This is the first ever full-scale investigation of the dramatic changes experienced by the English parish church during the English Reformation. By drawing on a wealth of documentary evidence, including court records, wills and church wardens' accounts, and by examining the material remains themselves - such as screens, fonts, paintings, monuments, windows and other artefacts - found in churches today, Robert Whiting reveals how, why and by whom these ancient buildings were transformed. He explores the reasons why Catholics revered the artefacts found in churches as well as why these objects became the subject of Protestant suspicion and hatred in subsequent years. This richly illustrated account sheds new light on the acts of destruction as well as the acts of creation that accompanied religious change over the course of the 'long' Reformation.
History of the United Kingdom and Ireland --- Religious architecture --- Christian church history --- anno 1500-1599 --- Church architecture --- Church buildings --- Church decoration and ornament --- Symbolism in architecture --- Architecture and society --- Architecture chrétienne --- Eglises --- Symbolisme en architecture --- Architecture et société --- History --- Décoration et ornement --- Histoire --- England --- Angleterre --- Church history --- Histoire religieuse --- Architecture chrétienne --- Architecture et société --- Décoration et ornement --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Architectural symbolism --- Signs and symbols in architecture --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Social aspects --- Human factors --- Arts and Humanities
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Architecture, Domestic --- Islamic architecture --- Decoration and ornament, Architectural --- Architecture domestique --- Architecture islamique --- Décoration et ornement architecturaux --- Fès (Morocco) --- Fès (Maroc) --- Buildings, structures, etc. --- Constructions --- Architecture, Islamic --- Dwellings --- Palaces --- Art, Architecture & Applied Arts --- Architecture --- Décoration et ornement architecturaux --- Fès (Morocco) --- Fès (Maroc) --- Domiciles --- Homes --- Houses --- One-family houses --- Residences --- Residential buildings --- Single-family homes --- Arab architecture --- Architecture, Arab --- Architecture, Moorish --- Architecture, Muslim --- Architecture, Saracenic --- Moorish architecture --- Muslim architecture --- Saracenic architecture --- Architectural decoration and ornament --- Stonework, Decorative --- Architecture, Rural --- Domestic architecture --- Home design --- Rural architecture --- Villas --- Decoration and ornament --- Fez (Morocco) --- Fās (Morocco) --- Fez. --- Buildings --- House-raising parties --- Household ecology --- Housing --- Religious architecture --- Architectural design --- Exterior walls --- Fès --- architecture traditionnelle --- architecture domestique --- Maroc --- architecture islamique --- céramique de construction --- décoration (architecture)
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"A history of the Spanish Gothic cathedral of Toledo. Balances architectural history with close scrutiny of the cathedral's liturgy and cults, the sculpture on its portals and choir enclosure, its royal tombs, and its diverse treasury and textiles"--Provided by publisher.
Architecture, Gothic --- Cathedrals --- Christian art and symbolism --- Church architecture --- Church buildings --- Gothic architecture --- Christian antiquities --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- History --- Catedral de Toledo --- Toledo, Spain. --- Toledo Cathedral --- Catedral Primada de Toledo --- Catedral de Santa María de Toledo --- History. --- Toledo (Spain) --- Ṭulayṭula (Spain) --- Ṭulaiṭula (Spain) --- Tolède (Spain) --- Buildings, structures, etc. --- Cathédrales --- Architecture gothique --- Architecture chrétienne --- Art et symbolisme chrétiens --- Eglises --- Histoire --- Décoration et ornement --- Tolède (Espagne) --- Church history --- Histoire religieuse --- Religious architecture --- History of civilization --- religious symbolism --- cathedrals [buildings] --- Gothic [Medieval] --- Toledo, kathedraal --- Toledo [Spain] --- cathedrals [works by context]
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"Lost in Egypt's honeycombed hills, distanced by its western desert, or rendered inaccessible by subsequent urban occupation, the monumental decorated tombs of the Graeco-Roman period have received little scholarly attention. By the early first decade of the twenty-first century none had been subjected to critical analysis or interpretation, and most had largely been ignored. This volume serves to redress this deficiency. It explores the narrative pictorial programs of a group of decorated tombs from Ptolemaic and Roman-period Egypt (ca. 300 BCE - 250 CE). Its aim is to recognize the tombs' commonalities and differences across ethnic divides and to determine the rationale that lies behind these connections and dissonances, as it sets the tomb programs within their social, political, and religious context and analyzes the manner in which the multicultural population of Graeco-Roman Egypt chose to negotiate death and the afterlife"--
Narrative art --- Tombs --- Death --- Decoration and ornament --- Cultural pluralism --- Tombeaux --- Mort --- Décoration et ornement --- Art narratif --- Diversité culturelle --- Social aspects --- History --- Aspect social --- Histoire --- Egypt --- Egypte --- Antiquities. --- Ethnic relations --- Religious life and customs. --- Antiquités --- Relations interethniques --- Vie religieuse --- Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Art --- Decorative arts --- Arts and crafts movement --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Mastabas --- Philosophy --- Égypte --- Ägypten --- Egitto --- Egipet --- Egiptos --- Miṣr --- Southern Region (United Arab Republic) --- Egyptian Region (United Arab Republic) --- Iqlīm al-Janūbī (United Arab Republic) --- Egyptian Territory (United Arab Republic) --- Egipat --- Arab Republic of Egypt --- A.R.E. --- ARE (Arab Republic of Egypt) --- Jumhūrīyat Miṣr al-ʻArabīyah --- Mitsrayim --- Egipt --- Ijiptʻŭ --- Misri --- Ancient Egypt --- Gouvernement royal égyptien --- جمهورية مصر العربية --- مِصر --- مَصر --- Maṣr --- Khēmi --- エジプト --- Ejiputo --- Egypti --- Egypten --- מצרים --- United Arab Republic --- Antiquities --- Religious life and customs --- Cultural diversity --- Diversity, Cultural --- Diversity, Religious --- Ethnic diversity --- Pluralism (Social sciences) --- Pluralism, Cultural --- Religious diversity --- Culture --- Cultural fusion --- Ethnicity --- Multiculturalism --- Art, Narrative --- Narrative art (Visual arts) --- Art genres --- Decoration and ornament, Primitive --- Tombs - Egypt --- Death - Social aspects - Egypt - History - To 1500 --- Decoration and ornament - Egypt - History - To 1500 --- Narrative art - Egypt - History - To 1500 --- Cultural pluralism - Egypt - History - To 1500 --- Egypt - Antiquities --- Egypt - History - Greco-Roman period, 332 B.C.-640 A.D. --- Egypt - Ethnic relations - History - To 1500 --- Egypt - Religious life and customs
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